Writer/director Keith Thomas makes a solidly creepy feature film debut with The Vigil, set in the cloistered, insular world of Hasidic Judaism in Brooklyn. Jakov (Dave Davis) has recently left the […]
As a musician and performer, Andra Day deserves far more attention than she’s yet to receive. Her 2015 debut album, Cheers to the Fall, introduced her as a force to […]
Julie Delpy is one of those rare talents who sparks internal debates about whether she’s a better actor or a better writer/director. I’m guessing most people would say actor, but […]
Of course it’s too early in the career of Billie Eilish to devote two hours and 20 minutes to a documentary to her accomplishments. She’s only in the midst of […]
It’s especially ambitious of the Russo Brothers (Anthony and Joe, who made the last two Captain America and Avengers movies) to follow up literally the biggest movies ever made with […]
Completing a feature film is no small task for any artist, from an independent drama to a superhero blockbuster. From script to production to editing and final touches, crafting a […]
From the writer/director of the supremely strong and naturalistic First Girl I Loved, Kerem Sanga, comes another work about a romance that seems fated not to work, with far more […]
Another offering this week that features shitty people doing shitty things to less fortunate people is writer/director J Blakeson’s I Care A Lot, in which Rosamund Pike plays professional, court-appointed […]
The latest from writer/director John Swab (Run with the Hunted), Body Brokers opens with a statement about the Affordable Care Act made in the law that health insurance companies must […]
There are several films out this week about people who made a lot of money finding loopholes (usually legal, but not always) in the system and exploiting them (see also: […]
Although it has been a while since I’ve revisited the 1945 David Lean adaptation of Noël Coward’s play Blithe Spirit, I’ve always counted it as one of my favorite early […]
It’s rare that I wish a film were longer than its economic 84-minute run-time, but such is the case for Robin Wright’s directorial debut, Land. From a script by Jesse […]