Category: Film - Page 190

It’s easy to be impressed by someone who completes, or even runs, a traditional marathon. Now try to imagine running one that is 3,100 miles long and takes more than […]

The title of this film betrays its true nature, but the fact that A Happening of Monumental Proportions marks the directing debut of actress Judy Greer is something to celebrate. […]

Love, Gilda, a documentary about the life and way-too-early death of “Saturday Night Live” cast member Gilda Radner, is almost too easy a subject to make a film about. Naturally, anyone with an […]

If you’ve been paying any kind of attention to advance reviews on this film, then you know that it’s one of the worst-reviewed movies of 2018—and deservedly so. Writer/director Dan […]

The latest from documentary filmmaker Michael Moore, Fahrenheit 11/9 (the date refers to the day in 2016 when we all learned that Donald Trump would be America’s next president and […]

The House With a Clock in Its Walls is a very bad title for a movie. The unfortunate tagline—”This house knows what makes you tick.”—is even worse. Fortunately, the film to […]

With 31 features and 19 short film programs being screened—all of them Chicago premieres—the 36th edition of Reeling (the second-oldest LGBTQ film festival in the world) runs Sept. 20-30 at […]

In my first dispatch from Toronto International Film Festival, a selection of six films offered a diverse taste of the hundreds of films screened at the 2018 edition (which officially […]

Chaos bathed in menacing, colorful light, featuring a lead performer who spends much of the film’s two-hour running time soaked in dark red blood, Mandy is that film horror fans have […]

“Who is willing to try to save a community that’s destined to die?” When I heard long-time Englewood resident Deborah Payne utter these desperate words near the end of the […]

My issues with the new documentary American Chaos have more to do with the timing of its release than anything else. The film was shot during the six months leading up […]

Although director Paul Feig’s go-to milieu is female-driven comedies (Bridesmaids, The Heat, the recent remake of Ghostbusters), there is something thrillingly bold, dark and eventually thrilling about his latest work, […]