Although it takes a great many broad strokes when it comes to its comedy, actor-turned-first-time feature writer-director Amy Landecker’s (Transparent) For Worse gets a great deal right when it comes […]
Though short-form filmmaking doesn’t get much recognition by mainstream audiences throughout the year, when Oscar season rolls around there are always three good reasons to head to the movie theater […]
This article was written by Thomas Hodgkins. Robert Stone’s newest documentary, Starman, shares a title with a famous David Bowie song, but Bowie’s “Life on Mars?” would also be an […]
Though short-form filmmaking doesn’t get much recognition by mainstream audiences throughout the year, when Oscar season rolls around there are always three good reasons to head to the movie theater […]
Though short-form filmmaking doesn’t get much recognition by mainstream audiences throughout the year, when Oscar season rolls around there are always three good reasons to head to the movie theater […]
From the 2017 Black List script by Colby Day (Spaceman) and directed by Andrew Stanton (Wall-E, Finding Nemo/Dory, John Carter, the upcoming Toy Story 5), In the Blink of an […]
Considering how much the Beatles have been featured in documentaries lately—between Peter Jackson’s epic Get Back series about the band recording the Let It Be album, and the recent re-release […]
At its heart, Pillion is the story of a timid, gay British man named Colin (Harry Melling, the Harry Potter films, Please Baby Please, The Pale Blue Eye) who is […]
Scintillating and ambient, director Jan-Ole Gerster’s Islands moves like one type of film before undressing to reveal itself to be something more gut-wrenching and hard-hitting. On the surface, it’s a […]
For the unaware (myself included), “pillion” is the word for the second seat on a motorcycle, that spot just behind the driver where one can hold on for dear life […]
Landing somewhere between a concert film and a traditional biographical documentary, director Baz Luhrmann’s EPiC: Elvis Presley in Concert is meant to be more of an experience about what made […]
Although I don’t believe it’s being credited as such, this former Blacklist screenplay from writer/director John Patton Ford (Emily the Criminal) is actually an amusing reworking of the 1949 Ealing […]