Category: Review - Page 138

Oh, this is not good. But here’s the thing: once in a great while, I see something so bad that I want everyone else to see it to, just so […]

Although I am not of a mind that director Paul Verhoeven’s 1995 opus Showgirls is anything but watchable trash, there are many who believe it is a masterpiece—or at least […]

Elisabeth Moss is the rare actress who has made remarkable work in both television (“Mad Men,” “The Handmaid’s Tale” and “Top of the Lake”) and film (Her Smell, Us, The Invisible […]

In his first feature since 2014’s controversial Pasolini, writer/director Abel Ferrara (Ms .45, King of New York, Bad Lieutenant) re-emerges with Tommaso, a work that is part biography, part fantasy, […]

Too often in documentaries about artists, the focus rest heavily on the final product, and that’s often the case because the subject is deceased. But in director Daniel Traub’s deeply […]

Long have I been an admirer of Canadian filmmaker Bruce McDonald (Roadkill, Pontypool), who frequently takes his genre work into more surreal territory that sometimes threatens to/delights in dipping its […]

If it weren’t so cartoonishly violent, you might almost be able to take a thriller with the unlikely name of Becky seriously. Of course, the fact that nearly all of […]

Three years ago, the great French filmmaker Bruno Dumont (Twentynine Palms, L’Humanité) did something even more radical than usual: he adapted and directed a portion of a cycle of plays […]

The Vast of Night is the kind of genre film that makes sifting through piles of average movies worth it. From first-time director Andrew Patterson and co-writers James Montague and […]

It’s been a daunting week. While the country limps through a grim Coronavirus milestone, there’s news of another incident of white police killing a black man and a racist confrontation […]

One of the things I admired about director Nisha Ganatra’s previous film, Late Night, was that some of its insights into the way male-dominated late night talk shows operated behind […]

In recent years, the lines that previously separated stand-up comedy, improv, performance art, and more traditional one-person showcases have blurred to the point where they seem meaningless (and perhaps even […]