Debuting on Netflix today (but also getting a limited run at the Landmark Century Centre Cinema) is Kodachrome, the latest from director Mark Raso (Copenhagen) about a record company A&R man (Jason […]
In their beautifully realized 2015 horror work, Spring, the filmmaking team of Aaron Moorhead and Justin Benson somehow merged a magnificent love story along the lines of Before Sunrise with […]
Super Troopers 2 is an exceedingly silly movie, which should come as no surprise since the first film is also very silly. But what separates the two films—besides more than […]
Much has already been written about the latest from comedic actress Amy Schumer, I Feel Pretty. It’s been accused of fat shaming some of its characters and basically just portraying […]
Sometimes, a movie doesn’t have to be great to be watchable; sometimes, just having a highly likable cast of actors that I genuinely adore is enough to get me through […]
Brad Silberling is a man with many job titles. He’s been a television producer and director for quite a number of years, while occasionally dipping his toe into the world […]
Having just appeared in the darkest of dark comedies, Thoroughbreds, as well as such works as The Witch and Split, actor Anya Taylor-Joy is one of the more reliable new faces […]
After a succession of high-energy, dialogue-heavy comedies such as L’Auberge Espagnole, Russian Dolls, Chinese Puzzle, and When the Cat’s Away, writer/director Cédric Klapisch returns with something a bit more easy […]
The latest from writer/director Lynne Ramsay (Ratcatcher, We Need To Talk About Kevin), You Were Never Really Here is about a lot of things for such a seemingly single-minded, unspeakably brutal […]
I walked into the latest from director Andrew Haigh (Weekend, 45 Years) knowing absolutely nothing about it beyond the title, Lean On Pete. As someone who sees anywhere between 450-475 […]
You should fully expect to see “from the producers who brought you Get Out” in front of a lot of not-nearly-as-good horror films over the next year or two, beginning […]
It’s been since 2011’s Transformers: Dark of the Moon that Chicago has taken a epic-sized, big-budgeted walloping the way it does in the video game-inspired Rampage. But something curious happened […]