The Book of Leviticus in the Bible provides fodder for horror and noir writers and filmmakers alike. Of the 14 laws it sets down, 11 end up with the death […]
Brazilian cinema is having its moment just as Iranian, Taiwanese and Korean cinemas did at some point. But what happens after the flavor-of-the-month stops being the flavor-of-the-month? Answer: a select […]
Has the Spanish government declared Carmen Maura a national treasure? If not, what are they waiting for? Maura stands shoulder to shoulder with such icons as Bette Davis, Joan Crawford, […]
Considering how many communities (and countries) have a bullseye on their backs thanks to the policies of the current administration, film festivals are more than ever a welcoming safe space […]
I have mixed feelings about Olivier Assayas’ most recent film Suspended Time (his latest, The Wizard of the Kremlin, a fictional portrait of the man who enabled Putin’s rise to […]
I have seen Luis Ortega’s Kill the Jockey (El Jockey) twice this year and am still in awe at the big swings it takes, how it keeps audiences on their […]
Three years ago two outsiders broke the stranglehold Colombia’s right wing parties had over the country when they were elected president and vice-president: the former M19 guerrilla fighter and senator […]
“It is impossible to believe the emotional and spiritual intensity and pure, classic beauty that can be produced by a man, an animal and a piece of scarlet serge draped […]
Now through December 31, Third Coast Review is raising money to support the diverse roster of writers you know and appreciate for their thoughtful, insightful arts and culture coverage in Chicago and […]
It’s taken close to nine years for a new film by Lisandro Alons>o, Argentina’s leading exponent of slow cinema, to reach our screens. The release of Eureka may not be […]
For those of us who have been following the career of René Pérez Joglar, aka Residente, since he and stepbrother Eduardo Cabra exploded into Puerto Rico’s and Latin America’s urban […]
The forces behind the gentrification of Miami’s Little Haiti community in Monica Sorelle’s feature debut Mountains are invisible and unstoppable. They go beyond the For Sale signs with the headshot […]